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On Resentment
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Still, it would be a stretch to say that Zama delves into slavery as economic exploitation.Zama (Photo credit: Strand Releasing)
A young Black Frenchman aims a gun at le flic
that gunned down his friend; a Filipino youth stabs his girlfriend’s
pimp to death; an Argentine colonial official has both his hands axed
off. These are just some of the dramatic scenes in the Brooklyn Academy
of Music’s (BAM) new series, On Resentment,
in dialogue with our time’s own resentful, violent zeitgeist, often in
the context of marginalized communities and racism. Emily Wang and
Matthew Shen Goodman, the editors of Triple Canopy magazine, which co-presented the series with BAM curator Ashley Clark, ask in their online essay, “A Note on Resentment”:
What
are the possibilities and limitations of resentment—as a basis for
thinking, speaking, and writing, establishing intimacy and forging
solidarity? How does resentment shape not only how we speak but what we
say? How is resentment stoked, policed, circulated, and mobilized? How
does resentment channel our attentions and efforts, and to what ends?
absolute power depends on absolute control over knowledge, which in turn necessitates absolute corruption
Think about this
“Politicians, Priests, and psychiatrists often face the same problem: how to find the most rapid and permanent means of changing a man’s belief…The problem of the doctor and his nervously ill patient, and that of the religious leader who sets out to gain and hold new converts, has now become the problem of whole groups of nations, who wish not only to confirm certain political beliefs within their boundaries, but to proselytize the outside world.”
– William Sargant “Battle of the Mind”
The truth about Jackson’s savagery was just as disturbing as the fake news. After a particularly bloody battle in 1814, Andrew Jackson’s men counted the dead Indians by cutting off their noses. They collected 557 noses. and... (this comment) Jackson ran an ad in the Nashville Gazette, in October, 1804, for the capture of a runaway slave, which stated that in addition to the reward, he would pay an extra $10 per 100 lashes (up to 300), to anyone who willing to inflict them upon his miscreant property. He was known to hold a vengeful lifetime grudge against anyone whom he felt had slighted him, regardless of how minor the supposed offense. His betrayal the Choctow tribe, whom he persuaded to become American allies over the British during the war of 1812, culminated in the “Indian Removal Act” (Trail of Tears), of which he took personal responsiblity to see implemented, resulted in the death of thousands of men, women and children. It’s no surprise that the current occupant of the Wh
Connecticut schools will be required to offer African American, Latino studies under bill that cleared Senate Thursday Daniela Altimari, May 30, 2019, The Hartford Courant African American and Latino studies will be a required part of the public school curriculum in Connecticut by 2022 under a bill unanimously approved by the Senate Thursday night. The measure, which cleared the House of Representatives earlier this month, now heads to Gov. Ned Lamont for consideration. In an emotional speech on the Senate floor, Sen. Douglas McCrory, a Democrat from Hartford spoke of the need for a more inclusive history curriculum. He invoked Nipsey Hussle, the California rapper and community activist who was shot to death in March, and recited a few lyrics from Jay Z’s “Legacy.'' Too often, McCrory said, schools highlight the legacies of Martin Luther King Jr. and Frederick Douglas, but ignore the achievements of lesser-known figures such as Ida B. Wells, an investigat
Press "Sam Pollard’s sobering and essential documentary recounts the government’s efforts to blackmail, discredit, and otherwise disempower Martin Luther King, Jr. during the height of the Civil Rights movement..." —INDIEWIRE "This film seems like one of the most urgent titles on the festival beat this year." —VANITY FAIR "Sam Pollard is back with a new documentary, and it may be the best of this year’s very impressive slate." —ENTERTAINMENT WEEKLY "Pollard's 'MLK/FBI' is more than an eye-opening look at an icon...it’s a critical chapter that should be imprinted inside every white American’s heart." —THE PLAYLIST "Director Sam Pollard's illuminating and infuriating documentary focuses on how dirty tricks were used to undermine the work and influence of civil-rights leader Martin Luther King Jr." —USA TODAY
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