#BOLO: Be On (the) Lookout

New York-based artist Sable Elyse Smith (b.1986, Los Angeles, CA).

Smith’s practice interrogates the predatory nature of the US carceral state and how the concepts of innocence and guilt in the larger cultural context perpetuate carceral capitalism’s livelihood. Smith’s video work incorporates found video footage from popular media to confront the language and imagery that feeds the carceral state and fashions the idea of criminality in our social imaginary.
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Author, Small Press Publisher, Mosaic Artist, maybe a Poet

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Indian Slavery

White Fragility

think

absolute power depends on absolute control over knowledge, which in turn necessitates absolute corruption

Little Man Little Man

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Jackson ran an ad in the Nashville Gazette, in October, 1804, for the capture of a runaway slave, which stated that in addition to the reward, he would pay an extra $10 per 100 lashes (up to 300), to anyone who willing to inflict them upon his miscreant property. He was known to hold a vengeful lifetime grudge against anyone whom he felt had slighted him, regardless of how minor the supposed offense. His betrayal the Choctow tribe, whom he persuaded to become American allies over the British during the war of 1812, culminated in the “Indian Removal Act” (Trail of Tears), of which he took personal responsiblity to see implemented, resulted in the death of thousands of men, women and children. It’s no surprise that the current occupant of the White…
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They were once America’s cruelest, richest slave traders. Why does no one know their names?
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Wikimedia Commons “Slaves working in 17th-century Virginia,” by an unknown artist, 1670. by Sep 12, 2017
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