Peeling Back the Hidden, Colonial Layers of Museum Objects

Procter does something important in showing us the things many museums hide, the parts of the objects’ histories that aren’t warm and fuzzy (or flattering for the institutions that now hold them), pointing overtly to the fact that museums aren’t neutral.

“If you can’t see the views and agendas coming through” in art and museums, Procter warns, “that doesn’t mean they aren’t there: it might just mean that they are close enough to your own for you to take them for granted.”

First published in the UK in March, Procter’s text, with its focus on the colonial history of art, is even more timely now, given the renewed Black Lives Matter protests. One section of the text is dedicated to statues and monuments commemorating racist and/or colonialist figures. Among those she highlights are statues of English slave trader Edward Colston, since thrown in and recovered from Bristol Harbor, and British imperialist Cecil Rhodes at Oxford, a focus of Rhodes Must Fall in Oxford.

Procter is certainly right to point out that these statues have powerful symbolic value. But she is also right to emphasize that the statues are being targeted because, as symbols, they are ultimately just a symptom of the underlying inequality of our institutions.
GOOD READ: Peeling Back the Hidden, Colonial Layers of Museum Objects
Author, Mosaic Artist, Curator

Comments

Post a Comment

Indian Slavery

think

absolute power depends on absolute control over knowledge, which in turn necessitates absolute corruption

Little Man Little Man

Popular posts from this blog

What is “blackbirding”?

Image
Elles Houwelingon, January 21, 2019, New Historian Everyone has heard shocking stories about the transatlantic slave trade, but this was hardly the only type of slavery in which Europeans were engaged. The Pacific slave trade involved the forceful enslavement of Pacific islanders from the mid 19thcentury to the 20thcentury. This particular type of slavery is often referred to as “blackbirding”. The primary focus of “blackbirding” was to supply cheap labor to sugar-cane plantations on Pacific plantations, particularly in Queensland, Fiji, New Caledonia, and the Samoan Islands. This was mainly achieved through trickery and kidnapping. They were frequently deceived about the length of time for which they were “contracted” and the nature of their “contract”. If all this failed, the islanders were simply loaded onto slave ships at gunpoint. The captured islanders were collectively known as Kanakas, which means Person or Man in Hawaiian. These workers were essentially t
Read more

Andrew Jackson Was A Real-Life Horror Movie Monster

Image
The truth about Jackson’s savagery was just as disturbing as the fake news. After a particularly bloody battle in 1814, Andrew Jackson’s men counted the dead Indians by cutting off their noses. They collected 557 noses. and... (this comment) Jackson ran an ad in the Nashville Gazette, in October, 1804, for the capture of a runaway slave, which stated that in addition to the reward, he would pay an extra $10 per 100 lashes (up to 300), to anyone who willing to inflict them upon his miscreant property. He was known to hold a vengeful lifetime grudge against anyone whom he felt had slighted him, regardless of how minor the supposed offense. His betrayal the Choctow tribe, whom he persuaded to become American allies over the British during the war of 1812, culminated in the “Indian Removal Act” (Trail of Tears), of which he took personal responsiblity to see implemented, resulted in the death of thousands of men, women and children. It’s no surprise that the current occupant of the Wh
Read more

Stereotypes and clichés about Native Americans obviously abound today

Image
Daniel H. Wilson, PhD (Cherokee), is the author of several books, including the New York Times bestseller Robopocalypse and the forthcoming The Andromeda Evolution The Truth Is Out There Writing truthfully is an act of bravery. It takes courage to put words into the world, knowing they will be judged and you along with them. The more truth there is to a story, the more powerful it is, and the more vulnerable the one who wrote it. I am proud that every piece collected here represents a facet of truth, contributed by a group of writers who each are unique, talented, and courageous. Some of the stories in this issue of TCJ Student paint pictures of fleeting moments of melancholy or happiness, while others capture the span of years that it takes trees to root. Some turn outward into the world to thrill with whip-crack snaps of violence, and others fold inward to ponder the patterns of thinking that can define a people. These stories are fascinating and touching, and the
Read more