On Resentment

Still, it would be a stretch to say that Zama delves into slavery as economic exploitation.
Zama (Photo credit: Strand Releasing)
A young Black Frenchman aims a gun at le flic that gunned down his friend; a Filipino youth stabs his girlfriend’s pimp to death; an Argentine colonial official has both his hands axed off. These are just some of the dramatic scenes in the Brooklyn Academy of Music’s (BAM) new series, On Resentment, in dialogue with our time’s own resentful, violent zeitgeist, often in the context of marginalized communities and racism.  Emily Wang and Matthew Shen Goodman, the editors of Triple Canopy magazine, which co-presented the series with BAM curator Ashley Clark, ask in their online essay, “A Note on Resentment”:
What are the possibilities and limitations of resentment—as a basis for thinking, speaking, and writing, establishing intimacy and forging solidarity? How does resentment shape not only how we speak but what we say? How is resentment stoked, policed, circulated, and mobilized? How does resentment channel our attentions and efforts, and to what ends?
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