Equality isn't a box

“I’ve always had an interest in American racial history,” she continues, “and I think we can see that there are still wounds that haven’t been properly healed. I know that it’s frightening for people to talk about but unless you do, they’re never going to be healed. We’re learning that this isn’t something to be solved; it’s a continuing conversation. Equality isn’t a box we can just tick and be done with.” - Ruth Negga
read 

“Loving is tapping into something, and it’s not about politics... People need a couple like Richard and Mildred now; they need to know that change from a grassroots level is possible, that there is hope...”
Author, Mosaic Artist, maybe a Poet

Comments

Post a Comment

sexism is the primal, or first, form of oppression in humanity

Sexism is a form of oppression and domination. As author Octavia Butler put it, "Simple peck-order bullying is only the beginning of the kind of hierarchical behavior that can lead to racism, sexism, ethnocentrism, classism, and all the other 'isms' that cause so much suffering in the world."

READ

Little Man Little Man

White Fragility

Popular posts from this blog

"Between Worlds: The Art of Bill Traylor"

Image
Blessed is the former slave, for he shall one day be called a master.
Blessed are the unlettered, for they are not burdened with theories of history.
Blessed are the poor, for they make the most of what they are given.
Blessed are the aged, for they can be forever young.
Blessed are the dead, for they are gone. We are on our own now. —Kerry James Marshall

read

Bill Traylor (ca. 1853–1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history: the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939—by then in his late eighties and living on the streets of Montgomery—Traylor made the radical steps of taking up pencil and paintbrush and attesting to…
Read more

Committing to Anti-Racism in Galleries of European Art

Image
Amidst a surge in white supremacist violence across the country, the time has come to reconsider how American museums are presenting European art.
“Globalization,” “interconnectivity,” and “diversity” are more than museum “buzzwords”; they are the battles white supremacists are fighting.

BIG READ: Committing to Anti-Racism in Galleries of European Art

#Whitenationalists and American #NeoNazis want the rest of us to see them as legitimate social and political movements

Beware of #Greeks Bearing Gifts: How Neo-Nazis and Ancient Greeks Met in Charlottesville | https://t.co/hXsbHuKxXkpic.twitter.com/HzKr964XKl — Origins (@OriginsOSU) July 22, 2018
Read more

Museum of Black Civilizations

Image
Senegal has opened the Museum of Black Civilizations to the public, spanning 14,000 square meters of floor space. The innovative institution regards Brazil, the United States, and the Caribbean as Black civilizations in their own right, and maps the trans-Atlantic slave trade and its diasporic implications throughout history. Among its first exhibitions are artworks from Mali, Burkina Faso, Cuba, and Haiti.
The museum is 52 years in the making — Senegal’s late president Leopold Sedar Senghor first proposed the idea at a festival of black artists in Dakar in 1966, but the museum’s construction was halted before a Chinese investment of $34.6 million. The museum opens in the wake of Senegal’s public request for the repatriation of its objects looted through colonial imperialism. [Africa.com]
Read more