Artist Betye Saar on a Sordid History
Betye Saar’s success relies on her exceptional ability to reconsider master
narratives through revised visualizations of history. She is an artist
whose work is political but not overwrought, small but not
insignificant, gentle but not pliant. She’s also someone who, despite
international recognition, lacks the acclaim she deserves. Although her
work is present in virtually every museum collection from LACMA to MoMA,
Saar’s last major institutional survey show in the US occurred almost
40 years ago in 1980 at the Studio Museum Harlem. Fortunately, LACMA has
announced that it will mount another big exhibition in 2019, called Betye Saar: Call and Response. Hopefully that show will expand upon the foundations of Keepin’ It Clean, championing Saar as a clear-eyed historian of one of America’s cruelest chapters. Via
Betye Saar: Keepin’ It Clean continues through May 27, 2019 at the New York Historical Society (170 Central Park West, Upper West Side, Manhattan).
Betye Saar: Keepin’ It Clean continues through May 27, 2019 at the New York Historical Society (170 Central Park West, Upper West Side, Manhattan).
Comments