How an Artist Learned About Freedom From ‘The Negro Motorist Green Book’
Mr. Adams was referring to the establishments listed in the “The Negro Motorist Green Book,” a series of AAA-like guides for black travelers published from 1936 through 1966, and the inspiration for “Derrick Adams: Sanctuary,” an immersive installation opening at the Museum of Arts and Design (known as MAD) on Jan. 25.
While they reflect a disturbing reality of American history, the books also offered the hope of partaking in the American dream. “They enabled African-Americans to travel like Americans and to feel American,” the artist said.
Recognized internationally for his kaleidoscopic explorations of the black experience, Mr. Adams, 47, who is African-American, is the first major visual artist to use the Green Books as a creative point of departure. For him, they are not only a Civil Rights artifact and instrument of social change, but also a fascinating record of black leisure time and the built environment — subjects that are continuously percolating in his work.